Her loyalty and affection, love , for him are necessary to tighten the screw of how hard it is for her to choose truth over her marriage. Hedwig Ascasua Professional. Is Emilia jealous of Desdemona?
Another contribution to the jealousy theme is in Act III, scene iv Desdemona states she has never given cause for Othello to be jealous. Rositsa Jukhimuk Professional. Who doesnt die in Othello? Please see the bottom of this page for full explanatory notes. And Cassio kill'd! Narjis Abzgildin Explainer. What are Desdemona's last words? Nicesio Gramenitsky Explainer. What does Desdemona tell Emilia before she dies?
She stays alive long enough to recant this statement, telling Emilia that she was not murdered but killed herself. She dies. Othello triumphantly admits to Emilia that he killed Desdemona , and when she asks him why, Othello tells her that Iago opened his eyes to Desdemona's falsehood. Alexis Duque, Explainer. Does Cassio die? Answer and Explanation: In Othello, Cassio does not die at all.
Iago convinces Roderigo to murder Cassio in an attempt to cover his own deviousness. Iago also slashes at Cassio's leg in the attack when Roderigo stabs Cassio. Davy Billi Pundit. How does Roderigo die? Iago takes the jewelry Roderigo thinks he's giving to Desdemona and sells it for a profit. All Roderigo does in response is to fall for Iago's smooth talking again and again. In the end, Roderigo dies—stabbed in the back appropriately enough by his wingman Iago. Tempie Kohlschmid Pundit.
Who does Desdemona blame for her death? Roderigo will get the blame for the attack on Cassio if Iago has his way. What justification does Othello try to give the murder of Desdemona in Scene 2? That the handkerchief was with Cassio. Yunia Echenagusia Pundit. Desdemona says that she is innocent, denies that anyone has killed her, and dies. Othello is about as near as Shakespeare gets to classical tragedy. His downfall becomes his own doing, and he is no longer, as in classical tragedy, the helpless victim of fate.
Does Iago confess in the end? Othello is not convinced of his folly until Iago confesses his part, and Cassio speaks of the use of the handkerchief; then, Othello is overcome with grief.
Othello stabs Iago when he is brought back in; Othello then tells all present to remember him how he is, and kills himself. In the final scene, Othello thinking she has cuckolded him with Cassio murders Desdemona; and, in another husband-murders-wife parallel, when she speaks out about what he has done, Iago murders Emilia. Othello then kills himself.
Iago is taken off to be tortured but — as the curtain falls — is still not killed. I should venture purgatory for 't" 4. So Emilia ends up seeming like that horrible stereotype: the poor girl with no self-confidence who's stays with a total dirtbag because she craves affection. Emilia goes so far as to betray her friend for the love of her man. And yet, despite her submissiveness, Emilia's obvious bitterness boils over in a final scene during which she says that husbands are usually to blame when their wives cheat on them:.
Say that they slack their duties, And pour our treasures into foreign laps; Or else break out in peevish jealousies, Throwing restraint upon us. Or say they strike us, Or scant our former having in despite.
After all, men cheat on women all the time—why shouldn't women have an equal right to infidelity? Considering that this was written in the early s, Emilia's monologue is about as close as we will get to a feminist manifesto.
But like Shylock's "Hath not a Jew eyes" speech in Shakespeare's Merchant of Venice , it's not perhaps the best argument for equality.
Shylock argues that Jews are people, too—and so they have an equal right to revenge. Emilia argues that women are people, too—and so they should have an equal right to cheat on their spouses. These aren't the most uplifting messages. Throughout most of the play, Iago has the upper hand in his interactions with his wife.
But the final scene is payback time for Emilia. Shakespeare scholar Harold Bloom points out that of all the people in the play, Emilia is the only one that Iago underestimates—and she's the only one who ultimately can bring Iago down. That's an interesting irony.
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